Aristotle and Tragic Temporality

Aristotle and Tragic Temporality treats a theme that has drawn scholarly attention for millennia: Aristotle on time and our experience of it. It does so, however, in a wholly unprecedented way, grounding its interpretation in his Poetics and Ethics, rather than the natural philosophy of the Physics.

Sean D. Kirkland first takes up Aristotle’s discussion of our tragic temporal situatedness—our having to act, think, and live always between a determining past we can never fully master and a projected future we can never fully anticipate. It is this condition that comes powerfully to light for Aristotle on stage in the performance of a tragic drama. The familiar Aristotelian ‘virtue ethics’ then becomes something radically new in the transforming light of the Poetics’ temporality – an outline of how humans can inhabit that irremediably tragic condition, never overcoming or suspending it, and arrive nonetheless at something like happiness and excellence.

Inquiring into Being: Essays on Parmenides

Inquiring into Being is a study of Parmenides, the early Greek pre-Socratic philosopher often credited as the first metaphysician and whose sole written work was a philosophical poem. In his poem, Parmenides has a narrating goddess character indicate the sense of being that must be and cannot be as a corrective to the errors mortals make when accounting for the ultimate nature of reality while showing a keen scientific understanding of natural phenomena. Inquiring into Being brings together and further develops recent work on Parmenides and the surviving fragments of his text through twelve chapters by scholars from the United States and United Kingdom working in analytic and continental philosophy, classics, political theory, literary theory, and the history of science. It serves as a guide through many of the interpretive controversies in Parmenides’s poem while offering new insights into Parmenides’s role as poet, scientist, natural philosopher, and investigator into the nature of being.

Contemporary Encounters with Ancient Practice

Continental philosophers and contemporary artists transform the classics into living practices

– A volume of original essays, four previously untranslated articles, novel visual art, and reproduced images, by an international lineup of today’s leading thinkers and practitioners
– Features non-expository or non-argumentative elements, such as exhortative, prescriptive, or didactic dimensions (telling the reader to do something specific, such as, do an exercise, write something, etc.)
– Thinkers and art-practitioners collaborate to produce a combined written and visual contribution
– The book gathers new continental approaches to ancient philosophy outside of the dominant interpretive milieus of phenomenology, hermeneutics, historicism, and analytic philosophy

This volume collects written and visual works that engage with opportunities of ancient practice from within the continental tradition. More than surveying ancient ethical or political ideas, the chapters develop divergent yet resonant approaches to concrete ways of living, acting, reflecting, and being with others found in antiquity and its reception. The practices involve the habits, exercises, activities, philosophies, and lives of today’s readers; and so most chapters encourage the reader to do something, to put the ideas into practice. Withstanding a temptation to simply theorize practice, it insists on the embodied and shared materiality of living in singular times and places. The practical encounters between this book and its readers range across antiquity and the contemporary world, from political theatre, casuistry, and slavery to book production, friendship, and our own mortality. Through thinker-practitioner collaborations, occasional pieces, exhortations to readers, and recipes for action, this work strives to articulate and cultivate old and new practices for our lives.